I’ve said it before, and I’ll say it again – these past few years have been the best to be fan of Japanese music. Not only is the access something we couldn’t have dreamt of in the past: the music can be obtained through a myriad of ways – YouTube, iTunes, Amazon MP3, Spotify – you can even get a Niconico account these days without living in Japan! – but the quality of the offerings is as high as it was in the best of times. The indie artists are producing a hit after hit, no matter what genre or style you’re after, and they are all great.
In a music culture that’s so focused on neat melody as J-Pop/J-Rock, it’s a given that all the good songs will be perfectly hummable, but sometimes a song comes along that eats its way into your brain and stays there for days, taking over all your vital functions. Recently, I keep stumbling upon dozens of such songs – and here are five that seem to have the strongest hold on my synapses.
5. Gesu no Kiwami Otome – Momoe
“Gesu…” is a new project of Enon Kawatami, lead singer of Indigo La End. His other band is a more mainstream melodic rock production, also with plenty of great songs (truly, the only reason they’re not on this list too is to avoid repetition) – but “Gesu…” is something else. Part jazz, part hip-hop, part crazy bass riffs, and lots of toe-tapping, head-banging funk. “Momoe” is my favourite song of theirs so far, but also one that, sadly, doesn’t have an official video, so here’s some Japanese guy shredding the bass in his basement like a Boss.
4. tofubeats feat. ONOMATOPEDAIJIN – Suisei
Kobe-born Tofubeats (I’ve mentioned him before) is a one-man Japan’s answer to Daft Punk. Like the robot-headed Frenchmen, he uses his autotuned voice as one of the instruments, invites an eclectic mix of talents from all over the music world to assist him, and is generally the king of funk. Not all his songs are hummable – not all are even listenable for long, to be honest – but when he gets things right, he gets things right. “Suisei” is, as far as I can tell, a harrowing tale of trying to be cool young adult in Tokyo… “Cutie” and “Zipper” are fashion magazines read by trendy Shinjuku girls. This is all irrelevant, as the video is shot in Kobe 🙂
If you’re not a fan of autotune, and prefer soft female voice instead, there’s also a version sung by Seira Kariya (the infectiously cheerful girl in the video below).
3. Kana-Boon – Naimononedari
Kana-Boon is, unfortunately, not available on Spotify, and is in general not as popular and well-known as other bands on the list – and, frankly, most of their songs are pretty generic, ska-influenced power-pop, Asian KFG-style; they may be considered a one-hit wonder, but that one hit – and the accompanying brilliant video – is more than enough for the Kana-boon to appear on this list beside their more popular competition.
2. tricot – Last Step
Having opened for the reunited Pixies this year in England, and to rave reviews, tricot are definitely the hottest J-Rock band in years. They are best known for the overwhelming barrage of hard, melodic grunge riffs, math-rock experimentation, jazz-like precision and powerful voice of the lead singer – seriously, there is not a bad song on either of their two records – but in this solo number from their latest album, Ikkyu shows she can give just as haunting performance with nothing but an acoustic guitar and the raging sea behind her.
1. Predawn – Suddenly
If Bob Dylan and Bjork had a baby… well, their sex tape would probably be worth millions. But also, their child would be Miwako Shimizu, better known as Predawn. With a soft, but unwavering, just-accented voice, Predawn would be just another archetypal, folkish, mori “lonely girl with a guitar”, if not for the nigh super-human talent for writing melodies that will stay with you for weeks.
It’s like a tick on your brain.